Sunday, June 17, 2018

Au revoir là-haut (2017, Albert Dupontel)

The Great War binds the lives of three men together. On one side are the accountant Albert (played by Dupontel) and the artist Edouard (brilliant as ever Nahuel Pérez Biscayart). On the other side we have the trigger-happy Henri d'Aulnay-Pradelle Laurent Lafitte, to whom I haven't payed much attention before). November 9, 1918. Everybody is waiting for the end of the war, with the exception of Pradelle. He sends his people on a useless mission. The jaw of Edouard is shot off, Albert wakes up under a dead horse, but is otherwise not wounded. When Edouard sees his deformations, he wants to die. However. Albert deletes him only from the archives, as Edouard doesn't want to return to his family.
Albert doesn't get his previous job back, back still he manages to make enough money, so that they can survive. Emile, a girl from the neighborhood, who can understand Edouard, joins them. Edouard takes up drawing again, but now he sketches war monuments: banal, ugly and expensive - that is the key to success.
See You Up There starts as a serious war drama, trenches, a dog finding the way overt the battlefield, tired soldiers waiting for the truce and senseless war action full with realistic detail. A gripping scene is when Edouard realizes that a part of his face is missing. It become sort of costume drama in postwar Paris with the losers and the winners of the Great War. The film changes direction again after some time. When we learn about the family background of Edouard, family drama is added. And when Edouard invents the scheme to make money by selling war monuments a touch of comedy id added.
Viewers of See You Up There are in for a treat. The longer you watch the film, the greater the pleasure. It's for people who like brilliant dialogues and witty comedies. Obviously it is not a crowd pleaser. When I saw the film today, I was in for a "private performance".
9/10


No comments:

Post a Comment